How do you decide what point-of-view (POV)
you want to tell a story in?
"That parts usually easy because my stories are mostly started with a character in mind. I've only written in first person, and with the character already set, I don't usually get too mixed up about it." - Suzanne Young, author of The Naughty List.
"I’m pretty much first-person these days, unless there’s a narrative reason it needs to be otherwise." - Jessica Leader, author of Nice and Mean.
"The main character is usually the first thing that comes to me, so there's the POV. (Although I'm still a big fan of using 3rd person over 1st, which gives a little flexibility for switching character focus.) I've experimented with having the narrative voice be a character itself, which was fun, but am *most* impressed by those who can juggle multiple POVs in their books. That completely boggles my mind!" - Dawn Metcalf, author of Skin & Bones.
"This is a hard question, because I think that, for me at least, it tends to be a natural part of the story’s development. It’s rare that I struggle to figure out what POV a story should be in. I love writing in first person because I think it brings and immediacy to the situation, and it’s often the case that a character’s voice will spring up fully-formed with I start writing. That said, I do try to consider what’s needed from a narrative standpoint. With Brightly Woven, I felt that it was important that the action be relayed to the reader from Syd directly, so they could learn about and experience her world as she did." - Alexandra Bracken, author of Brightly Woven.
"The loudest character wins." - Bonnie Doerr, author of Island Sting.
"Whatever comes naturally to me. I prefer first person, but I’ve written short stories in third and even second person." - Jennifer Hubbard, author of The Secret Year.
"It decides itself with the opening line. Having said that - I have switched from first to third and vice versa, and once that made a huge difference." - Janet Fox, author of Faithful.
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"This isn't something I choose. That's something that just happens- it's native to the characters. Whoever shows up in my head knows how they want their story told." - Saundra Mitchell, author of Shadowed Summer.
"I love writing first person POV. I get to really inhabit the main character's brain and pretend to be her for a while." - Shari Maurer, author of Change of Heart.
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"The POV largely depends on the characters and the feel of the story. Some stories need to have insights from multiple characters or need to be told from a narrative perspective. Really, it just depends on what feels right." - Riley Carney, author of The Fire Stone.
"I tend to write it from the POV of the character I feel I know best, or the character most similar to myself." - Steph Bowe, author of Girl Saves Boy.
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"I don’t usually think about it. My characters just come to me as these first person voices, so that’s what I tend to go with. I’ve tried third person before, but I have always ended up changing everything back to first, which isn’t fun, so I don’t try it often." - Kristina McBride, author of The Tension of Opposites.
"The story dictates the POV. I start out writing in the POV that seems right, and the story tells me if its wrong. I told you I'm a panster!" - Michelle Zink, author of Prophecy of Sisters.
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"So far, all of my books have been written in first person - it's what I'm most comfortable with. But I have an idea brewing that I think would be best served by third person, so although it scares me, I think one of these days, I will be trying it!" - Lisa Schroeder, author of Chasing Brooklyn.
"I used to write all third-person. The Iron King was the first book I tried first-person POV, and it just clicked. I guess it all depends on the story." - Julie Kagawa, author of The Iron King.
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Be sure to come back Tuesday when the authors begin confessing their writerly faults.
I've never seen a post quite like this before... this is so awesome!
ReplyDeleteThanks!
Love, Hannah
very informative post and lovely blog, especially the header picture.
ReplyDeleteIn a weird way, deciding on whose telling the story is like taking dictation from your characters